Following the release of his Oscar-winning hit Parasite, all eyes were on what director Bong Joon Ho would do next. Finally five years later his next project is arriving on our screens and according to our own five star Mickey 17 review,

W e’re now less than two weeks away from the release of Mickey 17, the first project in more than five years from Oscar-winning director Bong Joon-ho, and while it has taken muc

So how, exactly, do you make a new human? No, sicko. We don’t mean that. We mean in the context of Bong Joon Ho’s latest, Mickey 17. In the film, Robert Pattinson plays Mickey, a human “expendable” who is brought back to life, over and over, after he dies. How does that work? A new book shows you, in more ways than one.

Writer/director Bong Joon-ho has been recognized for years as one of modern cinema’s most talented filmmakers, but there is also no denying that his latest movie arrives with en

Although it is science-fiction to its core, director Bong Joon Ho’s first film since his Oscar-winning Parasite six years ago is in many ways a not-that-absurd look at where we just might be headed as a society.

Combining the best parts of "Snowpiercer" & "Okja" into something new, "Mickey 17" suggests that Bong loves people even more than he hates capitalism.

Oscar-winning director Bong Joon Ho said on Thursday (February 20) he was proud of how his fellow South Koreans had overcome the fallout from impeached President Yoon Suk Yeol's short-lived imposition of martial law on December 3.

Director Bong Joon-ho is seen in this photo captured from the website of the Academy Museum of Motion Pictures in Los Angeles. [SCREEN CAPTURE] "Mickey 17" director Bong Joon-ho's creative process will be highlighted in a major exhibition by the Academy Museum of Motion Pictures that opens next month in Los Angeles.

Director Bong Joon-ho is seen in this photo captured from the website of the Academy Museum of Motion Pictures in Los Angeles. (PHOTO NOT FOR SALE) (Yonhap) Korean director-US exhibit Bong Joon-ho's filmmaking journey explored in Academy Museum's 2-year exhibit By Woo Jae-yeon SEOUL,