As mystifying as his 2004 sci-fier, "Primer," albeit for entirely different reasons, Shane Carruth's "Upstream Color" is a stimulating and hypnotic piece of experimental filmmaking. “Primer” fans and ...

Jesse talks to the director Shane Carruth. His new movie Upstream Color has almost no dialogue, involves a kind of abstract science fiction premise, but keeps you fully engaged. Then Jesse talks to ...

Shot on 16 mm film on a mere $7,000 budget, 2004’s “Primer” stands among the brainiest sci-fi movies ever made. But the technical story didn’t depend on a multi-million dollar Michael Bay budget — the ...

Shane Carruth is trying to explain the presence of a sound recordist in the midst of his latest film "Upstream Color." After first positing that it has something to do with Thoreau's "Walden," which ...

This week in movies you missed: The director of cult flick Primer returns with an expressionist epic about the bond between human and … swine? OK, that’s not exactly what Upstream Color is about. It’s ...

Shane Carruth hasn’t made a movie since his debut, 2004’s critically acclaimed time-bending Primer, but it wasn't for lack of trying: According to producer Casey Gooden, the filmmaker devoted a lot of ...

When director Shane Carruth (“Primer”) was casting his sophomore feature “Upstream Color,” it was his editor David Lowery, the director of fellow Sundance pic “Ain’t Them Bodies Saints,” who suggested ...

Larry and KPCC film critics Alynda Wheat and Andy Klein discuss some of their favorite films from 2013, including This Is The End, Upstream Color, The Heat and more. TGI-Filmweek! Larry and KPCC film ...

Jesse talks to the director Shane Carruth. His new movie Upstream Color has almost no dialogue, involves a kind of abstract science fiction premise, but keeps you fully engaged. Then Jesse talks to ...